Grace Lambert’s performance practice centres on text, video, music and live electronics, exploring themes of disconnection, control and alienation. Working between performance, live art and concert formats, she treats performance as a site of enquiry — where sound, body and systems are tested live, allowing intimacy, instability and uncertainty to remain visible.
Pixel Tears (Camden People’s Theatre & The Ugly Duck)
Pixel Tears (Camden People’s Theatre & The Ugly DuckPixel Tears (Camden People’s Theatre & The Ugly Duck)Pixel Tears is Lambert’s one-woman show, following a young woman navigating a post-breakup emotional landscape. Set in her messy bedroom within a possible future reality, she unwillingly enters an online therapy programme designed to help her “recover” in five days. The work examines vulnerability and emotional exposure under digital mediation.
Alongside her solo work, Lambert has performed extensively as one half of performance duo Cheap Thrills with Noemi Gunea. Their practice combines economics, pop music and dance, and has been presented in gallery and institutional contexts including The Pleasance, Royal Academy of Arts, Camden People’s Theatre, Battersea Arts Centre, Arebyte Gallery and the British Museum.
Picture This, The British Museum (Cheap Thrills) Free Your Mind, The Pleasance (Cheap Thrills)‘Sounds Good To Me’, Ridley Road and Roman Road (Cheap Thrills)